Anything

by ACBelsky

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1.
Lonely Kind 03:50
Lonely Kind by Adam Belsky, all rights reserved 2018 E | | D | E | A | | | ' A E When you walk away from me, when you're not even facing me, D E A | | E | ' Not even facing me, when you turn around and walk away. A E When you turn your back to me you don't notice how its hurting me, D E A | | | ' And it always happens instantly in the middle of what I have to say. D A I'm already missing you, like I've seen the very last of you, E D A | | | ' And it doesn't make it easier when you finally change your mind. D F#m D I tell you frequently how very much it means to me B E | ' ' D E | ' Keeping you close to me, 'cuz I may be the lonely kind. A E When you walk away from me, when you're not even facing me, D E A | | | | You don't notice how its hurting me and its instantly, every time. E | | D E A | | | ' And I may be the lonely kind. A | | | | E | | | | D | | E | | A | | | ' D A I know you're hurting too from little things I put you through. E D A | | | ' All the things I say to you can be mean an unkind. D F#m D But I tell you frequently how very much you mean to me, B E | ' ' D E | ' And I need you by me, 'cuz I may be the lonely kind. A E When you walk away from me you take a little part of me, D E A | | | | And it pulls at the heart of me, instantly, every time. E | | D E A | | ' And I may be the lonely kind.
2.
The Extra Mile by Adam Belsky, all rights reserved 2018 E | B7 | E | | B7 E I'll take an extra quart of oil in my case. B7 E I put an extra smile across the front of my face. A E I'll put an extra coat of polish on my shoe, B7 E And walk an extra mile if I need to. C#m A Its easy doing things you like to do, F#7 B7 But the extra mile's the thing that see's it through. E B7 E And it all depends on where you're headed to, B7 E But the extra mile's the thing that see's it through. E | B7 | E | | B7 E I get an extra hour of sleep before I start. B7 E Some extra paper towells in my shopping cart. A E I put an extra pinch of salt in my jambalaya B7 E Then an extra hour to read my Jeremiah. C#m A Its easy doing things you like to do, F#7 B7 But the extra mile's the thing that see's it through. E B7 E And its always worked the same, no matter who, B7 E The extra mile's the thing that see's it through. | | B7 | E | | | B7 | E | | A | | E | | F#7 | | B7 | | E B7 E Its easy doing things you like to do, B7 E But the extra mile's the thing that see's it through. E | B7 | E | |
3.
Anything 03:24
Anything by Adam Belsky, all rights reserved 2018 D | | Cadd9 | | G C When I tell you, "You can do anything," G Cadd9 I'm not asking you to try. G C I'm not saying you can have everything. D Cadd9 You don't really want that, and neither do I. D C | | G | | | | No, you don't want everything, and neither do I. C G I may be taking you to task, Cadd9 G Asking you take off the mask. C Em Pushing you to see what you can bring. Cadd9 D | | 'Cuz you can do anything. You can do anything. G C In a picture you created in your mind, G Cadd9 In a treasure box open there to find, G C On a landscape open wide for you to see, D Cadd9 You can do anything. You can do anything. D C G | | | | Anything. You can do anything. Same as me. C G Don't be wishing on a star, Cadd9 G Sparring with your shadow where you are, C Em Open up your mouth whenever you sing, Cadd9 D | | 'Cuz you can do anything. Yes, you can do anything. G | | C | | G | | Cadd9 | | D C And whatever happens, it starts from here and now, D Cadd9 And you can do anything. You can do anything. D C G | | | | Anything. You can do anything. So, show me how. D Cadd9 G | | | | Anything. You can do anything. So, show me how.
4.
When I Walk out the Door by Adam Belsky, all rights reserved 2018 D | A | G | A | D | | | | Bm A G D | | | | Waiting in silence for the sound of the drop of a shoe. Bm G Bm A | | | | Watching the steam from the kettle and tasting its brew. G D How many times with the same conversation, G D When does foregiveness begin, G Gm D Bm A | | | Where do we go if we never move forward, what then? CHORUS | D A G A D | | | I'll be a long time gone when I walk out the door. | A G A D | | | | I won't be changing my mind when I get to the end of the hall. G A I'm heading right when I reach the corner, Bm A G | | | No turning 'round anymore. And | D A G A D | | | | I'll be a long time gone when I walk out the door. Bm A G D | | | | Where is that person, the girl with the bun in her hair? Bm G Bm A | | | | I see her shadow and somehow I think she's still in there. G D I've been ashamed of my own disposition, G D I can be moody and drawn, G Gm D Bm A | | | | But where do we go if there's no way of moving on? [CHORUS] Bm G D | | | I made a promise, a promise I'm hoping to keep. | Bm G A | | | | But I spend my waking hours thinking 'bout going to sleep. G A I think our changes can turn into positives, Bm A G | | Gm | Same as its happened before, but | D A G A D | | | | I'll be a long time gone when I walk out the door. D | A | G | A | D | | | |
5.
Every Minute in Between by Adam Belsky, all rights reserved 2018 Gm | Am | Bb | C | ' ' Dm C | Dm Bb F C F C I see another message showing up across my screen. Dm Bb F C F C Give you my attention. Treat you like a queen. Dm Bb F C Dm C But I don't give possession to every minute in between. Bb Am Bb C | ' ' F C | I was with you last night, not every minute in between. CHORUS F C Bb C F C I'm not the answer to what you been lookin' for. F C Bb C F C I'm not reliable, not the kind you're lookin' for. Dm Bb F C Dm C I don't even speak right. You can tell that from before. Bb Am Bb C | ' ' Dm C | I won't even notice when you don't call me anymore. Dm Bb F C F C I don't quite remember exactly what I said. Dm Bb F C F C I might take a gander when you wear that shade of red. Dm Bb F C Dm C I get all excited when we make it on the scene. Bb Am Bb C | ' ' F C | But I don't give possession to every minute in between. Am Bb Am Bb ' ' Dm A very simple person is all I want to be. Gm Am Bb C | ' ' Dm C | Everybody's special. Nothing so special about me. [CHORUS] [FADE]
6.
A Minute There or Three by Adam Belsky, all rights reserved 2018 F | C | Em | F | D | | G | G7 | C F C There she sat across a crowded classroom. F C Could have been a half a mile from me. F C Em F Ribbons in her hair, pretending not to stare, D G G7 I looked at her a minute there or three. C F C Practicing my sudden introduction, G C Gazing at my fingers nervously. F C Em F Never seems to fail, taken by the gale D G G7 That stirs the heart a minute there or three. F C Em F What happens in an instant can vanish suddenly, D G G7 But stirs the heart a minute there or three. C F C There she sat across the crowded classroom. G C F I stared at her a minute there or three. C G C | | A minute there or three. C | F | C | | | F | C | | F | C | Em | F | D | | G | G7 | C F C Quietly she sleeps another hour. G C Never seems to go down peacefully. F C Em F A ribbon in her curls, eighteen pounds of girl. D G G7 I look at her a minute there or three. F C Em F What happens in an instant can vanish suddenly, D G G7 But stirs the heart a minute there or three. C F C Quietly she sleeps another hour. G C F I stare at her a minute there or three. C G C | | A minute there or three.
7.
Infectious 03:44
Infectious by Adam Belsky, all rights reserved 2018 G | | | | D | | Bm | | G | | A | | D | | | | A | | | | I am forced to conclude that the good Lord made Texas on his off day. G A D G A For pure entertainment just to prove his skills, a really top hand. D A If a man comes from Texas, he'll tell you, he makes no point of masking. G A D | | | | If he doesn't come from Texas, then why embarrass him by asking. CHORUS G D | | When it all falls apart, when a pain in the heart becomes infectious, Bm | ' G A D | | | | You may all go to Hell and I will go to Texas. D A | | | | A child born in Texarkana, family crossing, covered wagon days, G A The time he crossed the Lone Star State would reach El Paso D G A entering the third grade. D A | | | | Immigrants who face Comanche, Kiowa, before the reservations G A D | | | | Surely don't build Middletown, not for several generations. [CHORUS] D | | | | A | | | | G | | A | | D |'' G A | | | D | | | | A | | | | G | | A | | D | | | | [CHORUS] Bm G A | | | | There is vastness, and I believe we breathe it under our skin. Bm G A G A We dream big, we think big, there's nothing here to hem us in. [CHORUS] G A When it all falls apart, when the pain in your heart, Bm A G | | | | When the pain in your heart is infectious, A D | | | | G | | A | ' Y'all go to Hell I'll go to Texas. D | | | | I'll go to Texas.
8.
If I Was Dreaming by Adam Belsky, all rights reserved 2018 D | E | E7 | A D If I was dreaming, I could see the world in black and white A E And hear the voices speaking without words. A D In the morning, or somewhere in the dead of night A E A Awaken to forget the things I heard. D If I was hoping, I could close my eyes and wish about A E The changes before they appear. A D A But I'm not dreaming, and I open up my eyes to not believing E A What I'm seeing here. D Its amazing. I never knew such peacefulness A Would ever simply co-exist with sorrow. D Its confusing that friends can place their confidence A In ignorance to get them to tomorrow. D And its chilling, 'cause the best of times are temporary. A F#m Best of times can always go away. D E It doesn't matter what they say. D E | E7 The best of times can always go away. REFRAIN | A D If I was dreaming I would open up my eyes to face A F#m D The darkness, wash down my fear. But I'm not dreaming, E A | | I'm standing here. F#m D Take another look around. Inspect the sky and test the ground A E I'm standing on. Does it shake? F#m D Take a pencil draw a line. Try 'n read a highway sign B E | E7 To see if I'm awake. [REFRAIN] D E | A | D | A No, I'm not dreaming.
9.
An Extra Pair of Hands by Adam Belsky, all rights reserved 2018 A | | C | | | | | D C | | Take some extra time to think. D C | | It may be longer than you think. D C | | Take an extra hour to pray. D C | | There will surely be another day. A C | | | | And when the pain comes calling, CHORUS G D C | | An extra pair of hands. G D C | | Doesn't matter how it stands. G | D C | | Take it where it lands. G D C | | An extra pair of hands A C | | For when the pain comes calling. | | | D C | | Take the time to get it right. D C | | When its war, you fight. D C | | When its over, then its done. D C | | Its the same for everyone. A C | | | | And when the pain comes calling, [CHORUS] A | | C | | | | [CHORUS] [FADE]
10.
Made in the U.S.A. by Adam Belsky, all rights reserved 2018 F | | G | | Am F C G I like to hear my name. I have a hotel chain. Am F C G | ' ' Am G | Not really mine, but nobody knows. Am F C G I have some bridges to burn. I hide my tax returns. Bb G I hide the tax returns when everyone shows. Bb G | ' ' Am G | I keep a whole lot of secrets. Am F C G I hear a knock on the door. Could be a friend named Igor, Am F C G | ' ' Am G | Or maybe its Vladimir. I don't really know. Am F C G He keeps me here on a tether. Could be Stormy weather. Bb G She's always the center of my favorite videos. Bb G | ' ' Am G | Yeh, she's front and center. CHORUS C F C G C F C G Made in the U.S.A., so proudly. Made in the U.S.A.! C F C G C F C G Made in the U.S.A., sing loudly. Made in the U.S.A.! C F C G In the U.S.A.! F | | G | | Am F C G I missed that Vietnam deal. I had a spur in my heal. Am F C G | ' ' Am G | I got nothing for marching like those pitiful fools. Am F C G I didn't pay when I owed. I have a gold commode. Bb G I wrote a book on the subject. They teach it in schools. Bb G | ' ' Am G | I used to own Casino! [CHORUS] Am Em F G Live Free. Die, not me. Am Em F G | ' ' Am G | You and I simply doesn't apply. [FADE CHORUS]

about

Shoal Creek Trail Project, album 5 of 10
Philly Special, album 2 of 3
Recorded in Austin, TX.

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released July 18, 2018

Words and music by ACBelsky, all rights reserved 2018.

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KMBA Austin, Texas

KMBA is the truth. Born on a Heatwave, with a Meanstreak, baby. Light that burning flame, roll big mama home, its Every day, KMBA.

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