1. |
Lonely Kind
03:50
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Lonely Kind
by Adam Belsky, all rights reserved 2018
E | | D | E | A | | | '
A E
When you walk away from me, when you're not even facing me,
D E A | | E | '
Not even facing me, when you turn around and walk away.
A E
When you turn your back to me you don't notice how its hurting me,
D E A | | | '
And it always happens instantly in the middle of what I have to say.
D A
I'm already missing you, like I've seen the very last of you,
E D A | | | '
And it doesn't make it easier when you finally change your mind.
D F#m D
I tell you frequently how very much it means to me
B E | ' ' D E | '
Keeping you close to me, 'cuz I may be the lonely kind.
A E
When you walk away from me, when you're not even facing me,
D E A | | | |
You don't notice how its hurting me and its instantly, every time.
E | | D E A | | | '
And I may be the lonely kind.
A | | | | E | | | | D | | E | | A | | | '
D A
I know you're hurting too from little things I put you through.
E D A | | | '
All the things I say to you can be mean an unkind.
D F#m D
But I tell you frequently how very much you mean to me,
B E | ' ' D E | '
And I need you by me, 'cuz I may be the lonely kind.
A E
When you walk away from me you take a little part of me,
D E A | | | |
And it pulls at the heart of me, instantly, every time.
E | | D E A | | '
And I may be the lonely kind.
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2. |
The Extra Mile
03:03
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The Extra Mile
by Adam Belsky, all rights reserved 2018
E | B7 | E | |
B7 E
I'll take an extra quart of oil in my case.
B7 E
I put an extra smile across the front of my face.
A E
I'll put an extra coat of polish on my shoe,
B7 E
And walk an extra mile if I need to.
C#m A
Its easy doing things you like to do,
F#7 B7
But the extra mile's the thing that see's it through.
E B7 E
And it all depends on where you're headed to,
B7 E
But the extra mile's the thing that see's it through.
E | B7 | E | |
B7 E
I get an extra hour of sleep before I start.
B7 E
Some extra paper towells in my shopping cart.
A E
I put an extra pinch of salt in my jambalaya
B7 E
Then an extra hour to read my Jeremiah.
C#m A
Its easy doing things you like to do,
F#7 B7
But the extra mile's the thing that see's it through.
E B7 E
And its always worked the same, no matter who,
B7 E
The extra mile's the thing that see's it through.
| | B7 | E | | | B7 | E | | A | | E | | F#7 | | B7 | |
E B7 E
Its easy doing things you like to do,
B7 E
But the extra mile's the thing that see's it through.
E | B7 | E | |
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3. |
Anything
03:24
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Anything
by Adam Belsky, all rights reserved 2018
D | | Cadd9 | |
G C
When I tell you, "You can do anything,"
G Cadd9
I'm not asking you to try.
G C
I'm not saying you can have everything.
D Cadd9
You don't really want that, and neither do I.
D C | | G | | | |
No, you don't want everything, and neither do I.
C G
I may be taking you to task,
Cadd9 G
Asking you take off the mask.
C Em
Pushing you to see what you can bring.
Cadd9 D | |
'Cuz you can do anything. You can do anything.
G C
In a picture you created in your mind,
G Cadd9
In a treasure box open there to find,
G C
On a landscape open wide for you to see,
D Cadd9
You can do anything. You can do anything.
D C G | | | |
Anything. You can do anything. Same as me.
C G
Don't be wishing on a star,
Cadd9 G
Sparring with your shadow where you are,
C Em
Open up your mouth whenever you sing,
Cadd9 D | |
'Cuz you can do anything. Yes, you can do anything.
G | | C | | G | | Cadd9 | |
D C
And whatever happens, it starts from here and now,
D Cadd9
And you can do anything. You can do anything.
D C G | | | |
Anything. You can do anything. So, show me how.
D Cadd9 G | | | |
Anything. You can do anything. So, show me how.
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4. |
When I Walk out the Door
03:36
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When I Walk out the Door
by Adam Belsky, all rights reserved 2018
D | A | G | A | D | | | |
Bm A G D | | | |
Waiting in silence for the sound of the drop of a shoe.
Bm G Bm A | | | |
Watching the steam from the kettle and tasting its brew.
G D
How many times with the same conversation,
G D
When does foregiveness begin,
G Gm D Bm A | | |
Where do we go if we never move forward, what then?
CHORUS
| D A G A D | | |
I'll be a long time gone when I walk out the door.
| A G A D | | | |
I won't be changing my mind when I get to the end of the hall.
G A
I'm heading right when I reach the corner,
Bm A G | | |
No turning 'round anymore. And
| D A G A D | | | |
I'll be a long time gone when I walk out the door.
Bm A G D | | | |
Where is that person, the girl with the bun in her hair?
Bm G Bm A | | | |
I see her shadow and somehow I think she's still in there.
G D
I've been ashamed of my own disposition,
G D
I can be moody and drawn,
G Gm D Bm A | | | |
But where do we go if there's no way of moving on?
[CHORUS]
Bm G D | | |
I made a promise, a promise I'm hoping to keep.
| Bm G A | | | |
But I spend my waking hours thinking 'bout going to sleep.
G A
I think our changes can turn into positives,
Bm A G | | Gm |
Same as its happened before, but
| D A G A D | | | |
I'll be a long time gone when I walk out the door.
D | A | G | A | D | | | |
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5. |
Every Minute in Between
03:29
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Every Minute in Between
by Adam Belsky, all rights reserved 2018
Gm | Am | Bb | C | ' ' Dm C |
Dm Bb F C F C
I see another message showing up across my screen.
Dm Bb F C F C
Give you my attention. Treat you like a queen.
Dm Bb F C Dm C
But I don't give possession to every minute in between.
Bb Am Bb C | ' ' F C |
I was with you last night, not every minute in between.
CHORUS
F C Bb C F C
I'm not the answer to what you been lookin' for.
F C Bb C F C
I'm not reliable, not the kind you're lookin' for.
Dm Bb F C Dm C
I don't even speak right. You can tell that from before.
Bb Am Bb C | ' ' Dm C |
I won't even notice when you don't call me anymore.
Dm Bb F C F C
I don't quite remember exactly what I said.
Dm Bb F C F C
I might take a gander when you wear that shade of red.
Dm Bb F C Dm C
I get all excited when we make it on the scene.
Bb Am Bb C | ' ' F C |
But I don't give possession to every minute in between.
Am Bb Am Bb ' ' Dm
A very simple person is all I want to be.
Gm Am Bb C | ' ' Dm C |
Everybody's special. Nothing so special about me.
[CHORUS]
[FADE]
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6. |
A Minute There or Three
03:00
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A Minute There or Three
by Adam Belsky, all rights reserved 2018
F | C | Em | F | D | | G | G7 |
C F C
There she sat across a crowded classroom.
F C
Could have been a half a mile from me.
F C Em F
Ribbons in her hair, pretending not to stare,
D G G7
I looked at her a minute there or three.
C F C
Practicing my sudden introduction,
G C
Gazing at my fingers nervously.
F C Em F
Never seems to fail, taken by the gale
D G G7
That stirs the heart a minute there or three.
F C Em F
What happens in an instant can vanish suddenly,
D G G7
But stirs the heart a minute there or three.
C F C
There she sat across the crowded classroom.
G C F
I stared at her a minute there or three.
C G C | |
A minute there or three.
C | F | C | | | F | C | | F | C | Em | F | D | | G | G7 |
C F C
Quietly she sleeps another hour.
G C
Never seems to go down peacefully.
F C Em F
A ribbon in her curls, eighteen pounds of girl.
D G G7
I look at her a minute there or three.
F C Em F
What happens in an instant can vanish suddenly,
D G G7
But stirs the heart a minute there or three.
C F C
Quietly she sleeps another hour.
G C F
I stare at her a minute there or three.
C G C | |
A minute there or three.
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7. |
Infectious
03:44
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Infectious
by Adam Belsky, all rights reserved 2018
G | | | | D | | Bm | | G | | A | | D | | | |
A | | | |
I am forced to conclude that the good Lord made Texas on his off day.
G A D G A
For pure entertainment just to prove his skills, a really top hand.
D A
If a man comes from Texas, he'll tell you, he makes no point of masking.
G A D | | | |
If he doesn't come from Texas, then why embarrass him by asking.
CHORUS
G D | |
When it all falls apart, when a pain in the heart becomes infectious,
Bm | ' G A D | | | |
You may all go to Hell and I will go to Texas.
D A | | | |
A child born in Texarkana, family crossing, covered wagon days,
G A
The time he crossed the Lone Star State would reach El Paso
D G A
entering the third grade.
D A | | | |
Immigrants who face Comanche, Kiowa, before the reservations
G A D | | | |
Surely don't build Middletown, not for several generations.
[CHORUS]
D | | | | A | | | | G | | A | | D |'' G A | | |
D | | | | A | | | | G | | A | | D | | | |
[CHORUS]
Bm G A | | | |
There is vastness, and I believe we breathe it under our skin.
Bm G A G A
We dream big, we think big, there's nothing here to hem us in.
[CHORUS]
G A
When it all falls apart, when the pain in your heart,
Bm A G | | | |
When the pain in your heart is infectious,
A D | | | | G | | A | '
Y'all go to Hell I'll go to Texas.
D | | | |
I'll go to Texas.
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8. |
If I Was Dreaming
03:17
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If I Was Dreaming
by Adam Belsky, all rights reserved 2018
D | E | E7
| A D
If I was dreaming, I could see the world in black and white
A E
And hear the voices speaking without words.
A D
In the morning, or somewhere in the dead of night
A E A
Awaken to forget the things I heard.
D
If I was hoping, I could close my eyes and wish about
A E
The changes before they appear.
A D A
But I'm not dreaming, and I open up my eyes to not believing
E A
What I'm seeing here.
D
Its amazing. I never knew such peacefulness
A
Would ever simply co-exist with sorrow.
D
Its confusing that friends can place their confidence
A
In ignorance to get them to tomorrow.
D
And its chilling, 'cause the best of times are temporary.
A F#m
Best of times can always go away.
D E
It doesn't matter what they say.
D E | E7
The best of times can always go away.
REFRAIN
| A D
If I was dreaming I would open up my eyes to face
A F#m D
The darkness, wash down my fear. But I'm not dreaming,
E A | |
I'm standing here.
F#m D
Take another look around. Inspect the sky and test the ground
A E
I'm standing on. Does it shake?
F#m D
Take a pencil draw a line. Try 'n read a highway sign
B E | E7
To see if I'm awake.
[REFRAIN]
D E | A | D | A
No, I'm not dreaming.
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9. |
An Extra Pair of Hands
02:58
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An Extra Pair of Hands
by Adam Belsky, all rights reserved 2018
A | | C | |
| | | D C | |
Take some extra time to think.
D C | |
It may be longer than you think.
D C | |
Take an extra hour to pray.
D C | |
There will surely be another day.
A C | | | |
And when the pain comes calling,
CHORUS
G D C | |
An extra pair of hands.
G D C | |
Doesn't matter how it stands.
G | D C | |
Take it where it lands.
G D C | |
An extra pair of hands
A C | |
For when the pain comes calling.
| | | D C | |
Take the time to get it right.
D C | |
When its war, you fight.
D C | |
When its over, then its done.
D C | |
Its the same for everyone.
A C | | | |
And when the pain comes calling,
[CHORUS]
A | | C | | | |
[CHORUS]
[FADE]
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10. |
Made in the U.S.A.
03:15
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Made in the U.S.A.
by Adam Belsky, all rights reserved 2018
F | | G | |
Am F C G
I like to hear my name. I have a hotel chain.
Am F C G | ' ' Am G |
Not really mine, but nobody knows.
Am F C G
I have some bridges to burn. I hide my tax returns.
Bb G
I hide the tax returns when everyone shows.
Bb G | ' ' Am G |
I keep a whole lot of secrets.
Am F C G
I hear a knock on the door. Could be a friend named Igor,
Am F C G | ' ' Am G |
Or maybe its Vladimir. I don't really know.
Am F C G
He keeps me here on a tether. Could be Stormy weather.
Bb G
She's always the center of my favorite videos.
Bb G | ' ' Am G |
Yeh, she's front and center.
CHORUS
C F C G C F C G
Made in the U.S.A., so proudly. Made in the U.S.A.!
C F C G C F C G
Made in the U.S.A., sing loudly. Made in the U.S.A.!
C F C G
In the U.S.A.!
F | | G | |
Am F C G
I missed that Vietnam deal. I had a spur in my heal.
Am F C G | ' ' Am G |
I got nothing for marching like those pitiful fools.
Am F C G
I didn't pay when I owed. I have a gold commode.
Bb G
I wrote a book on the subject. They teach it in schools.
Bb G | ' ' Am G |
I used to own Casino!
[CHORUS]
Am Em F G
Live Free. Die, not me.
Am Em F G | ' ' Am G |
You and I simply doesn't apply.
[FADE CHORUS]
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KMBA Austin, Texas
KMBA is the truth. Born on a Heatwave, with a Meanstreak, baby. Light that burning flame, roll big mama home, its Every day, KMBA.
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