1. |
Back on the Mend
03:19
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Back on the Mend
by Adam Belsky, all rights reserved 2018
C | Bm D | G | |
G | B | C | Bm D |
How many days between us? How many more to go?
G | B | C | Bm D |
Though the miles are long and spacious, you already know.
C | Bm D | C | Bm D | G | |
Best wishes I send. I'm back on the mend.
G | B | C | Bm D |
So many smiles, I'm certain, none as bright as your's.
G | B | C | Bm D |
Not a moment's hesitation and we fight each other's wars.
C | Bm D | C | Bm D | G | |
With so much to attend I'm back on the mend.
Bm | C | Bm | C |
Though the road is long, I never had a friend
B | C | | D | |
To see it to the end same as you can.
G | B | C | Bm D |
Do you remember when? We could start it up again.
C | Bm D | G | |
'Cuz I'm back on the mend. Back on the mend.
Bm | C | Bm | C |
B | C | | D | |
And no one's done it better, not the way that you can.
G B | C | Bm D |
From where it all began we can start it up again,
C | Bm D | G | |
And I'm back on the mend.
G | B | C | Bm D |
Was a funny way to end. But you always were a friend,
C | Bm D | G | B | C | Bm D | G
And I'm back on the mend. Back on the mend.
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2. |
When You Said Goodbye
03:24
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When You Said Goodbye
by Adam Belsky, all rights reserved 2018
Dm Bb
In the golden sun. On the sand
C Am
There by the waves, holding my hand.
Dm Bb
I said it twice. To be sure you heard.
C Am
I gave you my heart. You gave me your word.
Bb Dm
Made a promise that you'd be the one,
C Am
And we'd be together over the long run.
Dm Bb
Then you asked me to wait, told me to try
C Dm
To give it some space. Then you you said goodbye.
F C
So I try, accepted my fate,
Dm Bb
I've accepted my fate. You asked me to wait.
F C
Though I've chosen to go it alone.
Am Bb
I remember your essence. I still feel your moan.
Dm
Sometimes I shake. I don't know why.
C Bb
I remember your face. Sometimes I cry.
Dm Bb C
Now you ask shall we take one more try,
Dm
When you said goodbye.
F | C | Dm | Bb |
F C
Though I have taken a very long road,
Am Bb
I counted the footsteps, put down the load.
Dm
Sometimes I ache and I won't lie.
C Bb
I remember your face as time goes by.
Dm Bb C
Now you ask shall we take one more try,
Dm | | Bb | C
When you said goodbye. One more try,
Dm
When you said goodbye.
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3. |
She May Be The Lucky One
03:13
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She May Be The Lucky One
by Adam Belsky, all rights reserved 2018
E | E7 | A | |
She would dance and she would dance.
E | |
Anybody with feet could get a chance.
And she would sway she could sway
In an exotic way, you couldn't help but say
A | '
It was taking you over in a trance.
And she would laugh, she would laugh
D
As she was breaking a heart clean in half.
E | E7
It could be the fate of anyone
A | '
To be enchanted by the lucky one.
CHORUS
D A
She may be the lucky one, by the way she's always having fun.
E
And she always has a drink in her hand.
A
Every wish of her's is more, more her command.
D A
And she may be the lucky one, Its never over 'til the night is done.
E | E7 A | '
And she gives a chance to everyone enchanted by the lucky one.
He was tall, dark and tall,
E | |
Standing alone against the wall.
He was cold, his hands were cold,
And his eyes were grey, she took a glance his way,
A | '
In a minute or two she was sold.
He was mean, black dog mean,
D | '
She was nothing like he'd ever seen.
E | E7
And he would finish what she'd just begun
A | '
There enchanted by the lucky one.
[CHORUS]
F#m E D A
You can still see her picture on the wall in a frame.
E A E7
Would she still be so lucky if they remembered her name?
[CHORUS]
| E | E7 | A
She would dance and she would dance.
E | E7 | A
Anybody with feet would get a chance.
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4. |
So It Goes
03:45
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So It Goes
by Adam Belsky, all rights reserved 2018
F#m | A | E | |
B
I hope you know I'm doing fine.
C#m A
I took some time to clear my mind.
E B
It takes a while, but I have found
C#m A
There's always a reason. Taking the high ground.
CHORUS
B
There's a lesson with every fall.
C#m A
I have my problems. I face them all.
F#m A
Whatever happens, no one knows,
E | |
And so it goes.
B
When it was over you left me dry,
C#m A
I know why you said good-bye.
E B
And every promise we ever made,
C#m A
The plans that we laid, all thrown away.
[CHORUS]
G#m A
I could ask you but I won't try
B
For any other answers, for any other reasons.
F#m A
I can feel the northwind, where it blows
E | |
And so it goes.
B
I hope you know I'm doing fine.
C#m A
I'm moving uptown, over the blue line.
F#m A
Taking the A-Train, watching the doors close
E | |
And so it goes.
F#m A
Taking my chances, but no one knows.
E | | F#m | A | E |
And so it goes.
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5. |
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I Can See There's Something Wrong
by Adam Belsky, all rights reserved 2018
D | | | '
| A Em7 D | A | Em7 | |
We spent a long time looking at it, going through the papers.
D A Em7 D | A | Em7 | |
It was a hard thing for both of us and I never meant you harm.
G A D | | G A D | |
Now look at what we've done. I wouldn't wish this thing on anyone.
G A D A G Em7 A | |
I couldn't be the kind to cut and run. Though I am taking on a ton.
CHORUS
D A Em7
I don't question that its gone.
D F#7 G | |
Maybe time for moving on.
D A Em7
But every time I look at it
G D | A | Em7 | G A |
I can see there's something wrong.
D | | | '
| A Em7 D | A | Em7 | '
When we first made eyes, it was almost graduation.
| D A Em7 D | A | Em7 | |
I took a chance at opening my business so you could move on in.
G A D | | G A D | |
I thought I opened up a door. Whatever's mine I'll make it your's.
G A D A G Em7
I don't believe the things I thought before
A | |
when you don't want me anymore.
[CHORUS]
F# G D A
Though you never took my name and you never lent a hand.
F# Bm G A | | | G A |
It gets broken up the same, save for mine, the reprimand.
[CHORUS]
[CHORUS]
D | A | Em7 | G A | D
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6. |
Far From Done
03:12
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Far From Done
by Adam Belsky, all rights reserved 2018
A | | D | A | B | | | |
D | A | E | |
Sometimes happens at the end.
D | A | E | |
Sometimes works out in a strange way.
D | A | E | |
And it doesn't go down easy.
D | A | B | | | |
And it doesn't always suit me.
D | A | E | |
Isn't something I can change.
D | A | E | |
Even when it gets unusual.
D A E | |
Even though its not uncommon.
D | A | B | | | |
That it all goes to the bottom.
CHORUS
E | B | D | A
Don't walk away if you think you might turn around.
E | B | D | |
Don't walk away 'less you're sure.
E | B | D | A
Don't change your mind just to change it right back again.
D | A | B | | | |
That ain't working any more.
D | A | E | |
And I couldn't face my friends.
D | A | E | |
I'd have to be a different person.
D | A | E | |
And I'm not afraid of changing.
D | A | B | | | |
I can take the new arrangement.
[CHORUS]
A | | D | A | E | | | |
I know its far from done.
A | | D | A | B | | | |
I see how far I've come.
[CHORUS]
[CHORUS]
A | | D | A | B | | | |
I know its far from done.
E | B | D | A | E | B | D | | E | B | D | A | D | A | B | | | |
[FADE]
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7. |
Pictured in the Frame
03:08
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Pictured in the Frame
by Adam Belsky, all rights reserved 2018
Dm | F | G | | | |
C Em7 F C
Every picture of her, they all look the same.
Em7 F G
Every smile in the center of the frame.
F E Dm G
Every moment how I wonder what became
F G C | | F | E | Dm | G
Of that person I see pictured in the frame.
| F G C | | | '
That person I see pictured in the frame.
| Em7 F C
There are moments I can finally let it go.
Em7 F G
There are other times I simply say its so.
F E Dm G
There's pretending I might hold onto a claim
F G C | | F | E | Dm | G
To that person I see pictured in the frame.
| F G C | |
That person I see pictured in the frame.
Am G F C
Times a healer though the nights are long and cold.
Am G F G
The heart's a soldier taking pains to rise and fold.
F E Dm G
I remember the way she spoke my name,
Dm F G | |
The person pictured in the frame.
C | Em7 | F | C | | Em7 | F | G |
E F C G
There's no question I can finally move along.
E F Dm G
Every promise doesn't mean it can't go wrong.
F E Dm G
Every morning is a wind against the flame
Dm F G | | | |
For that person I see pictured in the frame.
C Em7 F C
I am searching, looking deep inside.
Em7 F G
I am hoping for a gentle rising tide.
F E Dm G
A peaceful harbor to escape the last refrain
F G C | | F | E | Dm | G
Of that person I see pictured in the frame.
| F G C | Em7 | F | G | C
That person I see pictured in the frame.
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8. |
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Thinking 'bout your Murder
by Adam Belsky, all rights reserved 2018
F | | C | F | | | |
| | | | |
Been thinking 'bout your murder since the day you cut me loose.
C | | | | '
Doesn't seem to register I'm headed for a noose.
| F Bb | | | | |
I never quite considered, and what's left of them don't tell.
F C F | | | |
Some men make a bargain of their destiny in hell. Yes,
C F | | | |
Some things seem a bargain for a destiny in hell.
| | | | |
You never gave me lovin', but you soaked me 'til I's dry.
C | | | | '
Then you left me there a wondering, without a reason why.
| F Bb | | | | |
I have taken to the bottle, descended to a wreck.
F C F | | | |
Dreaming 'bout the day I place my hands around your neck.
C F | | | |
I am dreaming 'bout the day I place my hands around your neck.
Bb F | |
And isn't love just grand?
Bb F | |
And isn't matrimony sweet?
Bb F Dm | |
I'll be gone, dead and gone before I land,
Bb C | | | '
Twisting as the wind blows through my feet.
| F | | | | '
They say a crime of passion really ain't a crime at all.
| | | C F | | | |
I offer my defenses from inside my prison wall.
C F | | | |
I may offer my defenses but I take the final fall.
F# | | | | |
Been thinking 'bout your murder as I shuffle through a deck.
C# | | | | '
I break a box of match sticks picturing your neck.
| F# B | | | | '
I pour another whiskey and I stare into the swill,
| F# C# F# | | | |
As I read my mama's Bible where it says 'Thou shall not kill.'
B | | | | '
I open up my eyes and then I take another pill.
| F# C# F# | | | |
I Been thinking 'bout your murder, but I wonder if I will.
F# | | C# | F#
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9. |
Irene
03:52
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Irene
by Adam Belsky, all rights reserved 2018
Am | | C | D | G | | | |
Am | | | |
And she still makes the bed 'fore she heads off to work in the morning.
C Am D | | | '
She teases her hair in the mirror, puts on her face.
| G Am | | | |
And she makes up her list, what she missed of it hurried at the grocery.
C D G | | | |
Cleans off the memories, what left her, there without a trace.
Am | | | |
Her name is Irene, have you seen her? She works at the diner.
C Am D | | | '
Back and forth through the kitchen doors keeping up her pace.
| G Am | | | '
And she's quick with her pad, though she's had better days I assure you.
| C D G | | | |
What appears in plain sight, she can hide it there without a trace.
C D G | | | |
Wasn't long ago she was the May Queen.
C D G | | | |
Married at St. Monica's before the parish closed.
C D Em D C
Made a block of friends living near the factory over by Tioga.
D | | | '
Said she never wanted her own children, but I don't think so.
| G Am | | | '
Her best writing pen, keeps it clipped to the hem of her pocket.
C Am D | | | '
She glances at the window. See who's coming just in case.
| G Am | | | '
And her ankles are swelled, you could never tell she ever was a dancer.
| C D G | | | |
His name was Vincenzo, he left her there without a trace.
Am | | C | D | G | | | |
Am | | | '
She's never quit smoking. She spoke of it ever since I known her.
| C Am D | | | '
She sneaks to the back, makes an ash tray of the plastic flower vase.
| G Am | | | '
And she's quick with her pad, though she's had better days I assure you.
| C D G | | | |
What appears in plain sight, she could hide it there without a trace.
Am | | | |
Her name was Irene. Did you know her? so long since I seen her.
C Am D | | | |
Gone with her stories and memories, the memories I chase.
| G Am | | | '
And the condos they build once completed are filled, its amazing.
| C D G | | | |
What appears in plain sight, once forgotten is gone without a trace.
Am | | C | D | G | | | |
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10. |
||||
When Goodbye is a Good Thing
by Adam Belsky
A | | | |
G | | A | D | | | |
He spent a long time working on his paper.
G | | A | D | | | ' A |
He thought the big time was there within his reach.
G | | A | D | A | G | ' D |
He never noticed it was just a calling card to make a bunch of friends.
Em7 | | | | A | | | |
A different group of people, no one asking him to teach.
G | | A | D | | | |
He got some feelers, some on-line publications.
G | | A | D | | | ' A |
Not the best of them, but better than he'd done.
G | | A | D | A | G | ' D |
So he burned his bridges with all the people who only had supported him.
Em7 | | | | A | | | |
Thinking it was over and somehow he had won.
D | A | G | | D | A | G | |
That's when goodbye is a good thing. When its never meant to be.
D | A | G | | Bm | A | G | |
I don't question somethings eating you, I don't want it eating me.
Bm | G | A | | | |
G | | A | D | | | |
Now he isn't brilliant, but he isn't mediocre.
G | | A | D | | | ' A |
Somewhere in the middle, what anybody needs.
G | | A | D | A | G | ' D |
There's competition but when its over we all land the same.
Em7 | | | | A | | | |
And there's disappointment, everybody bleeds.
G | A | D | | G | A | D | ' A |
Maybe someone did you wrong, or you never won a fight,
G | A | D | Bm | G | A | | | |
But I hope I never live so long to be twisted up so tight.
D | A | G | | D | A | G | |
That's when goodbye is a good thing. Sometimes life is c'est la vie
D | A | G | | Bm | A | G |
I will send you my condolences, not the same as you to me.
Bm | G | A | |
D | A | G | | D | A | G | |
That's when goodbye is a good thing. When its never meant to be.
D | A | G | | Bm | A | G | |
I don't question somethings eating you, I don't want it eating me.
Bm | G | A | | | |
G | | A | D | | | |
He spent a long time working on his paper.
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