When You Said Goodbye

by ACBelsky

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1.
Back on the Mend by Adam Belsky, all rights reserved 2018 C | Bm D | G | | G | B | C | Bm D | How many days between us? How many more to go? G | B | C | Bm D | Though the miles are long and spacious, you already know. C | Bm D | C | Bm D | G | | Best wishes I send. I'm back on the mend. G | B | C | Bm D | So many smiles, I'm certain, none as bright as your's. G | B | C | Bm D | Not a moment's hesitation and we fight each other's wars. C | Bm D | C | Bm D | G | | With so much to attend I'm back on the mend. Bm | C | Bm | C | Though the road is long, I never had a friend B | C | | D | | To see it to the end same as you can. G | B | C | Bm D | Do you remember when? We could start it up again. C | Bm D | G | | 'Cuz I'm back on the mend. Back on the mend. Bm | C | Bm | C | B | C | | D | | And no one's done it better, not the way that you can. G B | C | Bm D | From where it all began we can start it up again, C | Bm D | G | | And I'm back on the mend. G | B | C | Bm D | Was a funny way to end. But you always were a friend, C | Bm D | G | B | C | Bm D | G And I'm back on the mend. Back on the mend.
2.
When You Said Goodbye by Adam Belsky, all rights reserved 2018 Dm Bb In the golden sun. On the sand C Am There by the waves, holding my hand. Dm Bb I said it twice. To be sure you heard. C Am I gave you my heart. You gave me your word. Bb Dm Made a promise that you'd be the one, C Am And we'd be together over the long run. Dm Bb Then you asked me to wait, told me to try C Dm To give it some space. Then you you said goodbye. F C So I try, accepted my fate, Dm Bb I've accepted my fate. You asked me to wait. F C Though I've chosen to go it alone. Am Bb I remember your essence. I still feel your moan. Dm Sometimes I shake. I don't know why. C Bb I remember your face. Sometimes I cry. Dm Bb C Now you ask shall we take one more try, Dm When you said goodbye. F | C | Dm | Bb | F C Though I have taken a very long road, Am Bb I counted the footsteps, put down the load. Dm Sometimes I ache and I won't lie. C Bb I remember your face as time goes by. Dm Bb C Now you ask shall we take one more try, Dm | | Bb | C When you said goodbye. One more try, Dm When you said goodbye.
3.
She May Be The Lucky One by Adam Belsky, all rights reserved 2018 E | E7 | A | | She would dance and she would dance. E | | Anybody with feet could get a chance. And she would sway she could sway In an exotic way, you couldn't help but say A | ' It was taking you over in a trance. And she would laugh, she would laugh D As she was breaking a heart clean in half. E | E7 It could be the fate of anyone A | ' To be enchanted by the lucky one. CHORUS D A She may be the lucky one, by the way she's always having fun. E And she always has a drink in her hand. A Every wish of her's is more, more her command. D A And she may be the lucky one, Its never over 'til the night is done. E | E7 A | ' And she gives a chance to everyone enchanted by the lucky one. He was tall, dark and tall, E | | Standing alone against the wall. He was cold, his hands were cold, And his eyes were grey, she took a glance his way, A | ' In a minute or two she was sold. He was mean, black dog mean, D | ' She was nothing like he'd ever seen. E | E7 And he would finish what she'd just begun A | ' There enchanted by the lucky one. [CHORUS] F#m E D A You can still see her picture on the wall in a frame. E A E7 Would she still be so lucky if they remembered her name? [CHORUS] | E | E7 | A She would dance and she would dance. E | E7 | A Anybody with feet would get a chance.
4.
So It Goes 03:45
So It Goes by Adam Belsky, all rights reserved 2018 F#m | A | E | | B I hope you know I'm doing fine. C#m A I took some time to clear my mind. E B It takes a while, but I have found C#m A There's always a reason. Taking the high ground. CHORUS B There's a lesson with every fall. C#m A I have my problems. I face them all. F#m A Whatever happens, no one knows, E | | And so it goes. B When it was over you left me dry, C#m A I know why you said good-bye. E B And every promise we ever made, C#m A The plans that we laid, all thrown away. [CHORUS] G#m A I could ask you but I won't try B For any other answers, for any other reasons. F#m A I can feel the northwind, where it blows E | | And so it goes. B I hope you know I'm doing fine. C#m A I'm moving uptown, over the blue line. F#m A Taking the A-Train, watching the doors close E | | And so it goes. F#m A Taking my chances, but no one knows. E | | F#m | A | E | And so it goes.
5.
I Can See There's Something Wrong by Adam Belsky, all rights reserved 2018 D | | | ' | A Em7 D | A | Em7 | | We spent a long time looking at it, going through the papers. D A Em7 D | A | Em7 | | It was a hard thing for both of us and I never meant you harm. G A D | | G A D | | Now look at what we've done. I wouldn't wish this thing on anyone. G A D A G Em7 A | | I couldn't be the kind to cut and run. Though I am taking on a ton. CHORUS D A Em7 I don't question that its gone. D F#7 G | | Maybe time for moving on. D A Em7 But every time I look at it G D | A | Em7 | G A | I can see there's something wrong. D | | | ' | A Em7 D | A | Em7 | ' When we first made eyes, it was almost graduation. | D A Em7 D | A | Em7 | | I took a chance at opening my business so you could move on in. G A D | | G A D | | I thought I opened up a door. Whatever's mine I'll make it your's. G A D A G Em7 I don't believe the things I thought before A | | when you don't want me anymore. [CHORUS] F# G D A Though you never took my name and you never lent a hand. F# Bm G A | | | G A | It gets broken up the same, save for mine, the reprimand. [CHORUS] [CHORUS] D | A | Em7 | G A | D
6.
Far From Done by Adam Belsky, all rights reserved 2018 A | | D | A | B | | | | D | A | E | | Sometimes happens at the end. D | A | E | | Sometimes works out in a strange way. D | A | E | | And it doesn't go down easy. D | A | B | | | | And it doesn't always suit me. D | A | E | | Isn't something I can change. D | A | E | | Even when it gets unusual. D A E | | Even though its not uncommon. D | A | B | | | | That it all goes to the bottom. CHORUS E | B | D | A Don't walk away if you think you might turn around. E | B | D | | Don't walk away 'less you're sure. E | B | D | A Don't change your mind just to change it right back again. D | A | B | | | | That ain't working any more. D | A | E | | And I couldn't face my friends. D | A | E | | I'd have to be a different person. D | A | E | | And I'm not afraid of changing. D | A | B | | | | I can take the new arrangement. [CHORUS] A | | D | A | E | | | | I know its far from done. A | | D | A | B | | | | I see how far I've come. [CHORUS] [CHORUS] A | | D | A | B | | | | I know its far from done. E | B | D | A | E | B | D | | E | B | D | A | D | A | B | | | | [FADE]
7.
Pictured in the Frame by Adam Belsky, all rights reserved 2018 Dm | F | G | | | | C Em7 F C Every picture of her, they all look the same. Em7 F G Every smile in the center of the frame. F E Dm G Every moment how I wonder what became F G C | | F | E | Dm | G Of that person I see pictured in the frame. | F G C | | | ' That person I see pictured in the frame. | Em7 F C There are moments I can finally let it go. Em7 F G There are other times I simply say its so. F E Dm G There's pretending I might hold onto a claim F G C | | F | E | Dm | G To that person I see pictured in the frame. | F G C | | That person I see pictured in the frame. Am G F C Times a healer though the nights are long and cold. Am G F G The heart's a soldier taking pains to rise and fold. F E Dm G I remember the way she spoke my name, Dm F G | | The person pictured in the frame. C | Em7 | F | C | | Em7 | F | G | E F C G There's no question I can finally move along. E F Dm G Every promise doesn't mean it can't go wrong. F E Dm G Every morning is a wind against the flame Dm F G | | | | For that person I see pictured in the frame. C Em7 F C I am searching, looking deep inside. Em7 F G I am hoping for a gentle rising tide. F E Dm G A peaceful harbor to escape the last refrain F G C | | F | E | Dm | G Of that person I see pictured in the frame. | F G C | Em7 | F | G | C That person I see pictured in the frame.
8.
Thinking 'bout your Murder by Adam Belsky, all rights reserved 2018 F | | C | F | | | | | | | | | Been thinking 'bout your murder since the day you cut me loose. C | | | | ' Doesn't seem to register I'm headed for a noose. | F Bb | | | | | I never quite considered, and what's left of them don't tell. F C F | | | | Some men make a bargain of their destiny in hell. Yes, C F | | | | Some things seem a bargain for a destiny in hell. | | | | | You never gave me lovin', but you soaked me 'til I's dry. C | | | | ' Then you left me there a wondering, without a reason why. | F Bb | | | | | I have taken to the bottle, descended to a wreck. F C F | | | | Dreaming 'bout the day I place my hands around your neck. C F | | | | I am dreaming 'bout the day I place my hands around your neck. Bb F | | And isn't love just grand? Bb F | | And isn't matrimony sweet? Bb F Dm | | I'll be gone, dead and gone before I land, Bb C | | | ' Twisting as the wind blows through my feet. | F | | | | ' They say a crime of passion really ain't a crime at all. | | | C F | | | | I offer my defenses from inside my prison wall. C F | | | | I may offer my defenses but I take the final fall. F# | | | | | Been thinking 'bout your murder as I shuffle through a deck. C# | | | | ' I break a box of match sticks picturing your neck. | F# B | | | | ' I pour another whiskey and I stare into the swill, | F# C# F# | | | | As I read my mama's Bible where it says 'Thou shall not kill.' B | | | | ' I open up my eyes and then I take another pill. | F# C# F# | | | | I Been thinking 'bout your murder, but I wonder if I will. F# | | C# | F#
9.
Irene 03:52
Irene by Adam Belsky, all rights reserved 2018 Am | | C | D | G | | | | Am | | | | And she still makes the bed 'fore she heads off to work in the morning. C Am D | | | ' She teases her hair in the mirror, puts on her face. | G Am | | | | And she makes up her list, what she missed of it hurried at the grocery. C D G | | | | Cleans off the memories, what left her, there without a trace. Am | | | | Her name is Irene, have you seen her? She works at the diner. C Am D | | | ' Back and forth through the kitchen doors keeping up her pace. | G Am | | | ' And she's quick with her pad, though she's had better days I assure you. | C D G | | | | What appears in plain sight, she can hide it there without a trace. C D G | | | | Wasn't long ago she was the May Queen. C D G | | | | Married at St. Monica's before the parish closed. C D Em D C Made a block of friends living near the factory over by Tioga. D | | | ' Said she never wanted her own children, but I don't think so. | G Am | | | ' Her best writing pen, keeps it clipped to the hem of her pocket. C Am D | | | ' She glances at the window. See who's coming just in case. | G Am | | | ' And her ankles are swelled, you could never tell she ever was a dancer. | C D G | | | | His name was Vincenzo, he left her there without a trace. Am | | C | D | G | | | | Am | | | ' She's never quit smoking. She spoke of it ever since I known her. | C Am D | | | ' She sneaks to the back, makes an ash tray of the plastic flower vase. | G Am | | | ' And she's quick with her pad, though she's had better days I assure you. | C D G | | | | What appears in plain sight, she could hide it there without a trace. Am | | | | Her name was Irene. Did you know her? so long since I seen her. C Am D | | | | Gone with her stories and memories, the memories I chase. | G Am | | | ' And the condos they build once completed are filled, its amazing. | C D G | | | | What appears in plain sight, once forgotten is gone without a trace. Am | | C | D | G | | | |
10.
When Goodbye is a Good Thing by Adam Belsky A | | | | G | | A | D | | | | He spent a long time working on his paper. G | | A | D | | | ' A | He thought the big time was there within his reach. G | | A | D | A | G | ' D | He never noticed it was just a calling card to make a bunch of friends. Em7 | | | | A | | | | A different group of people, no one asking him to teach. G | | A | D | | | | He got some feelers, some on-line publications. G | | A | D | | | ' A | Not the best of them, but better than he'd done. G | | A | D | A | G | ' D | So he burned his bridges with all the people who only had supported him. Em7 | | | | A | | | | Thinking it was over and somehow he had won. D | A | G | | D | A | G | | That's when goodbye is a good thing. When its never meant to be. D | A | G | | Bm | A | G | | I don't question somethings eating you, I don't want it eating me. Bm | G | A | | | | G | | A | D | | | | Now he isn't brilliant, but he isn't mediocre. G | | A | D | | | ' A | Somewhere in the middle, what anybody needs. G | | A | D | A | G | ' D | There's competition but when its over we all land the same. Em7 | | | | A | | | | And there's disappointment, everybody bleeds. G | A | D | | G | A | D | ' A | Maybe someone did you wrong, or you never won a fight, G | A | D | Bm | G | A | | | | But I hope I never live so long to be twisted up so tight. D | A | G | | D | A | G | | That's when goodbye is a good thing. Sometimes life is c'est la vie D | A | G | | Bm | A | G | I will send you my condolences, not the same as you to me. Bm | G | A | | D | A | G | | D | A | G | | That's when goodbye is a good thing. When its never meant to be. D | A | G | | Bm | A | G | | I don't question somethings eating you, I don't want it eating me. Bm | G | A | | | | G | | A | D | | | | He spent a long time working on his paper.

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Shoal Creek Trail Project, album 9 of 10
Three-peat, album 3 of 3
Recorded in Austin, TX.

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released September 5, 2018

Words and music by ACBelsky, all rights reserved 2018

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KMBA Austin, Texas

KMBA is the truth. Born on a Heatwave, with a Meanstreak, baby. Light that burning flame, roll big mama home, its Every day, KMBA.

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