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Where We Come Up

by ACBelsky

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1.
Getting Back To You by Adam Belsky, all rights reserved 2020 A | B | E | | | | A | E | In a day or two, I'll come around again. | C#m | A | B | Maybe this time I can make it sooner than. | A | B | E B | C#m Every time I let it show, I get closer, closer than you know. | A | | B '' A | B Getting back to you, but I can't tell you when. | E | A | E | C#m In a day or two, I can be myself again. | A | B | C#m | Getting back to you from where I been. | A | B | E | Getting back to you. | | A | E | At a different time, I can be a better man. | C#m | A | B | Maybe this time I can make a difference. | A | B | E B | C#m When I'm down, I let it show, and its hard for me letting go. | A | | B ' ' A | B And what's left of me is angry and dissonant. | E | A | E | C#m At a different time, I can be myself again. | A | B | C#m | Getting back to you from where I been. | A | B | E | | Getting back to you. G#m | A | E | | When you're lonely, I can tell. C#m | F#m | A | B | Will you wait for me when I'm under this spell? | E | A | E | C#m With a little hope, I can be myself again. | A | B | C#m | Getting back to you from where I been. | A | B | E | | Getting back to you. A | B | E | A | E Back to you.
2.
Where We Come Up by Adam Belsky, all rights reserved 2020 F | G | C | F G | C | G | Dm | F G | C Where we come up, wasn't anything at all this amazing. | G | Dm | F Wasn't that amazing, except every now and then, G | C And we all saw the same thing happening. | G | Dm | F G | C Where we come up every engine on the line's running sour diesel | G | Dm Wasn't that amazing 'cept the the old boys in their overhauls, | F G | F The oilmen and yard mechanics. | G | C Em And I'm not bad, just a member of the city crew | F | Em That flies around the midnight hours. | F | Dm | G | C Never knew the early light would suit me like a sleeve. | G | Dm | F G | F Where we come up, wasn't anything at all this confusing. | G | C | F G | Wasn't anything at all where we come up. C | G | Dm | F G | C | G | Dm | F G | Where we come up C | G | Dm | F G | Where we come up C | G | Dm | F G | F | G | C Em And I'm not hurt. I'm not bleeding broken or | F | Em forgotten like an unknown soldier. | F | Dm | G | C Never thought the best of things were ever more than dreaming. | G | Dm | F G | F Where we come up isn't any different there aren't many changes. | G | C | F G | C Wasn't anything at all where we come up. | G | Dm | F G | F Where we come up isn't any different there aren't many changes. | G | C | F G | C Wasn't anything at all where we come up.
3.
A Cup of Poison by Adam Belsky, all rights reserved 2020 C | G | C | G | | | | | | C | G She's a cup of poison, working by the sink. | | | C | D I know she's sees me, so dare I take a drink? | G | | C | G And we're never lonely anytime we're staying in. | C | G | C | G | | | A cup poison in my veins, a cup of poison. | | | C | G A cup of poison and it keeps me from the shakes. | | | C | D She's my companion whatever turn I take. | G | | C | G And she's like religion, though it leads me where I stray. | C | G | C | G | | | | A cup of poison in my veins, a cup of poison. D | | C | | G | | | | Won't be long and I'll be long gone. D | | C | | D | | | | If I'm down only means I'm around. C | | D | | Every Sunday night, every Monday night G | D | Em | | Hoping for another weekend. C | | D | | C Em | Am7 G | D | | | Make myself a mess of things 'til then. | G | | C | G Then, a cup of poison. Goes with everything I eat. | | | C | D Down to the bottom, though her taste is bitter sweet. | G | | C | G She runs the river through my hills through my canyons | C | G | C | G | | | Cup of poison in my veins, a cup of poison. | ' | | C | G | | | C | D A cup of poison | G | | C | G A cup of poison | C | G | C | G | | | | A cup of poison in my veins, a cup of poison.
4.
That I Could Listen by Adam Belsky, all rights reserved 2020 D | A E | A | | | C# | D | A | I had the drive and I had the passion. | C# | D | E | I don't remember having any other way. A | C# | D | A E | And I had the answers to all of our wishing, D | A E | A | | But I didn't have the patience that I could listen. A | C# | D | A | | C# | D | E | So I went to work and I did it "my way". A | C# | D | A E | And I made it up to you, but something else was missing. D | A E | A | | If I only had the patience that I could listen. F# | | D | A | And any other time I'd get back to you, let you finish then. C# | D | Bm | E | | Seems to me this time, you're the one who's finishing. A | C# | D | A E | So I hear good bye but I don't hear a reason. D | A E | A | | Won't you make another try that I could listen. A | C# | D | A E | D | A E | A D | A Won't you make another try that I could listen.
5.
By The Cinema by Adam Belsky, all rights reserved 2020 G | Bm A | D | | | A | G | D | Meet you by the cinema there beside the parking lot. | Bm | G | A | D Maybe share a cigarette before the feature plays. | A | G | D A | G Make another rendez-vous. Something I been going through. | Bm A | D | | Something I'll be telling you. | A | G | D | Meet you on the playground wall 'fore they built the shopping mall. | Bm | G | A | D Before they tore the whole thing down. Took it all away. | A | G | D A | G Make another tete-a-tete before I forget. | Bm A | D | ' ' ' A | Something I'll be telling you. Bm | F#m | G | D ' ' A | Bm Yes, I'll be leaving 'fore they clear the April snow. | F# | G | A | And I'm not certain which way to go. Bm | F#7 | G | D A | G But its not a hard decision when everything is gone. | Bm A | D | | After everything is gone. D | A | G | D | | Bm | G | A | D There lies adventure if I can overcome my fear. | A | G | D A | G And everything is c'est la vie, but all the same it bothers me. | Bm A | D | ' ' ' A | Bm 'Cuz they tore down that cinema. | F#m | G | D A | G Maybe in a lifetime everything comes 'round again, | Bm A | D | A | G And I can meet you by the cinema | D There beside the parking lot.
6.
Always So Beautiful by Adam Belsky, all rights reserved 2020 A | E | A | | | Amaj7 | D7 | I can so easily feel you next to me there by my side | A | | E | ' E7 Walking on my arm, always so beautiful. | A | Amaj7 | D7 In my solitude so far away from you, | B7 | A | E Clear in my mind, always so beautiful. | A | | Impossible. A | Amaj7 | D7 | | A | | E | ' E7 Always so beautiful | A | Amaj7 | D7 And its a mystery you were here with me | B7 | A | E Rest of my life, always so beautiful. | A | | Impossible. D | | Amaj7 | | Write another line, then a tear drop. D | | E | ' E7 Walk a bitter mile, then a sigh. | Amaj7 | A7 | D7 Another a waste of time, another state of mind | B7 | A | E | This journey in the past, always so beautiful. | A | | Impossible. Amaj7 | A7sus | D7 | B7 This journey in the past | A | E | A | D Always so beautiful. Impossible. | A | E | A Always so beautiful.
7.
The River Runs Down to the Sea by Adam Belsky, all rights reserved 2020 E | B | E | | | | | B | E | | | | E | | A | E | | | They can make up their minds like the flow of a river. | | | | B | | | The shape of the valley a turn in the breeze. | E | | A | E | | | They can break out the shovels, the train cars and 'dozers. | | B | E | | | But the river runs down to the sea. | | B | E | | | | The river runs down to the sea. E | | A | E | | | | | | | B | | | | E | | A | E | | | | | B | E | | | | | B | E | | | The river runs down to the sea. CHORUS | A | E | A | E | She turns and she wanders, quietly meanders, A | E | | B | | | Traces the concrete laid down so carefully. | E | | A | E | | | You can make up your mind like the flow of a river. | | B | E | | | But the river runs down to the sea. | | B | E | | | The river runs down to the sea. | E | | A | E | | | You may follow the road in either direction, | | | | B | | | By way of the sign posts, or do as you please. | E | | A | E | | | You can pack up your iron to make your protection, | | B | E | | | But the river runs down to the sea. | | B | E | | | The river runs down to the sea. [CHORUS]
8.
Not That Different by Adam Belsky, all rights reserved 2020 Bb | Dm C | F | C | Bb | C | F As I look around, its not that different. | C | Bb | C | F With all the changes, not that different. | C | Bb | C And its amazing how it circles back, | F | C | Bb | C | F | Back to the beginning, and not that different C | Bb | C | F | C | Bb | C | | Not that different. Bb | C | F C | Dm | I watch the sunrise every morning taken by the glow. Bb | | C ' ' Bb | C | Always with me where I go. Bb | C | F C | Dm | Every evening, how the stars streak across the heavens. Bb | | C ' ' Bb | C | F So I'm believing in where we're heading. | C | Bb | C | F My old friends, not that different. | C | Bb | C | F With all our changes, not that different. | C | Bb | C And I'm not certain how it circles back, | F | C | Bb | C | F | Back to the beginning. and not that different. | C | Bb | C | F | C | Bb I see the changes, not that different. | C | | Not that different. Bb | Dm C | F Yeah, I see the changes.
9.
Mary and Alvin by Adam Belsky, all rights reserved 2020 Em | | G | | D | G | D | | | | G | | D | G | D | | Mary takes a picture of herself every other morning. | | G | | D | G | D | | Sends it off to a dozen different friends and close relations. A | | G | | D | G | D | | Waits around to see the chats and comments like everybody's watching. A | | G | | D | G | D | | Reads a few out loud to add expression like anybody's listening. D | | G | | D | G | D | | | | G | | D | G | D | | Alvin checks the list inside his cab, knees around his mittens. | | G | | D | G | D | | Braces for his second cup of coffee before its frozen. A | | G | | D | G | D | | Takes another glance across the dashboard, pictures of his children. A | | G | | D | G | D | | Taped along the edges of the polaroid with the color fading. Em | | G | | D | G | D | | And the days all move along keeping on. Em | | G | | D | G | D | | Yeah, the days all move along keeping on. D | | G | | D | G | D | | D | | G | | D | G | D | | A | | G | | D | G | D | | Mary takes a package from the freezer, waiting on her Alvin. A | | G | | D | G | D | | Never even thinks of making supper without her Alvin. Em | | G | | D | G | D | | And the days all move along keeping on. Em | | G | | D | G | D | | Yeah, the days all move along keeping on. | | G | | D | G | D Mary takes a picture of herself every other morning.
10.
The Morning 02:48
The Morning by Adam Belsky, all rights reserved 2020 G | D | C | D | G | D | C | D | G | D | C | D | G | D | C | D | Keep your head up, don't be scared, I'll see you in the morning. G | D | C | D | G | D | C | D | There are better days ahead, I promise you my darling. G | D | C | D | G | D | C | D | Make a picture from the past, it can be a destination. G | D | C | D | G Fill your glass up to the rim, and throw away the poison, | D | C | I'll be there in the morning. D | G | D | C | Be there in the morning. | D | G | D | C | I'll be there in the morning. D | G | D | C | D | Be there in the morning. I'll be there in the morning. G | D | C | D | G | D | C | D | G | D | C | D | Blow the candle out. Leave the blinds a quarter open. G | D | C | D | G | D | C | D | See the flashing. Fading light descended down from heaven. G | D | C | D | G | D | C | D | Close your eyes, hear the sound of your own breathing. G | D | C | D | G Make a point to rise up early and leave the back door open. | D | C | I'll be there in the morning. D | G | D | C | Be there in the morning. | D | G | D | C | I'll be there in the morning. D | G | D | C | D | Be there in the morning. I'll be there in the morning. G | D | C | D | G | D | C | D | G Keep your head up, don't be scared.

about

Living through the Coronavirus of 2020.
Recorded in Austin, TX.

credits

released March 23, 2020

Words and music by ACBelsky, all rights reserved 2020. Cover art for the title track and album cover courtesy of Camp Harlam Alumni International (CHAI)

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KMBA Austin, Texas

KMBA is the truth. Born on a Heatwave, with a Meanstreak, baby. Light that burning flame, roll big mama home, its Every day, KMBA.

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